Theater of Depression

Posted by JohnD Sat, 11 Oct 2008 18:34:00 GMT

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Catatonic Kid (CK) and Isabella have had an inspired exchange of posts in the last couple of months on the use of language and creativity to engage depression, take away its power and release creativity. There are so many ideas and evocative phrases in these posts that I’ve had trouble picking out responses from the dozens that run through me. So I’m going to start with notes on writing, creativity and language and how they relate to depression – and see where these jottings take me.

To be clear, though, I can only talk about how these basic elements help me in recovery. CK and Isabella have their own truths about words and creative imagination. Each of us responds differently, and what works for me may not work for another. So this is my take, a rough rendering of my truth – maybe it’s like yours, maybe not. There are as many paths to recovery as there are people trying to figure this out.

My imagination is expressed primarily through writing, and it helps distance me from the symptoms of depression by portraying them as different characters intruding on my life. These are my visitors from the theater of depression. I can laugh at them, kick them off stage or manage their movements and cues like the director of a play.

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Guilt, Grief and Regeneration

Posted by JohnD Sat, 27 Sep 2008 19:12:00 GMT

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A breakthrough to healing can come at the most unexpected time. The other night I was trying to divert myself by watching a mystery episode from an old British series. Instead of taking my mind off things, this story pushed me into a past history I had long kept at a safe distance.

The film built its story around a soldier haunted by his experience of violent death in Bosnia, especially the sight of a basement floor piled deep with the corpses of women and children. Much later, after his return to civilian life, the shock of another act of violence brings back the Bosnian memories and plunges him into such an intense guilt that he loses his power of speech. A minister, he somehow internalizes guilt for such horrors that have nothing to do with his own actions and is even driven to seek atonement for them. And so he tries to find punishment by confessing to a killing he did not commit. It’s based in part on Pat Barker’s fine novel, Regeneration, about a World War I combat veteran slowly brought back to health through the efforts of a gifted psychiatrist. These stories bring to life the hard work of recovery.

Certain dramatic scenes often have powerful resonance for me, often triggering grief and tears, but I have never been able to understand what was going on. Why should such powerful feelings fill me in response to fiction? I could see reasons for such reactions when brought on by the real-life stories of veterans suffering complete collapse from the traumas of combat. However, I thought of that more as empathy for their suffering rather than as response to my own far less violent family disturbances. The other night, though, things began to get clearer.

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Depression, Identity and Hope

Posted by JohnD Sat, 20 Sep 2008 21:08:00 GMT

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Marissa wrote a post at Wellsphere that made me pause. She was objecting to the idea found in Richard O’Connor’s book (Undoing Depression) that “I am not my depression.” She interpreted this as an evasion of accountability for one’s actions. The depressed behavior that harms relationships, for example, can’t be dismissed as something you’re not responsible for – it has a real impact because of your behavior, and you remain accountable for what you do. And so, in this sense, she insists: “I am my depression.”

I agree with the need to be accountable. I have hurt those around me by being emotionally absent, self-involved, unable to talk, irritable or in a rage, or behaving badly in any of the ways that are symptomatic of depression. But O’Connor’s intention with this formulation, I believe, isn’t aimed at releasing people from accountability. It’s a way of reminding those suffering from depression that they have an illness, that there is hope for recovery, that they should not confuse the symptoms with the totality of their human identities.

I think a better way of putting this, however, is another sentence that appears frequently in books about how to deal with this condition: “I am more than my depression.” In other words, my identity isn’t defined by behavior linked to the illness, but it also says that I am my depression, in part.

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Facing My Double in Depression

Posted by JohnD Sat, 13 Sep 2008 20:16:00 GMT

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About a hundred years ago, Robert Frost wrote a famous poem about two roads diverging in a wood: “And sorry I could not travel both/ And be one traveler.” He makes his choice to take “the one less traveled by.” “Oh I kept the first for another day!/ Yet knowing how way leads on to way,/ I doubted I should ever come back.”

When I faced a choice of two roads to my own future, I believed I could follow both and be one traveler. Why were there two roads? I imagined there were two sides of myself – one creative, artistic – the other public, drawn to political and social change – and I needed both to feel whole. What followed from this attempt were years of struggling and failing to balance both, searching for the fulfillment I needed but finding it always just out of reach on either path. I tried sprinting down one for a time, then leaving that to cut through a brambled mile of thickets to get back to the other, sprint down that road for a while, cut back through the less and less penetrable undergrowth, hit the other again – and so on. What does that mean? Among other things, it means that I spend a lot of time between the roads in those thickets – lost.

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